Muindi Fanuel Muindi is a performance artist, philosopher, and poet, with Lacustrine Bantu roots in the Rift Forests of Eastern Congo and the Mara Wetlands in Tanzania. He is the author of six books of experimental poetry and prose.
Muindi’s philosophical perspective, his “deconstructive empiricism”, is deeply affected by Bantu philosophies and by Western deconstruction and schizoanalysis, and it is subtly informed by figures, functions, and structures from comparative biology and measure theory.
Muindi’s performances, his “philosophical gestures”, deploy dramatic devices to create sensuous experiences that deepen understandings of the metaphysical catastrophe of coloniality and that broaden the prospects of the Black Arts and Decolonial Sciences. Having adopted the motto “more grit, less kit”, Muindi’s performance practice privileges high latency, low fidelity, and seamful designs and the use of TEK (Transformative Ecological Knowledges).
Muindi is co-founder of the Fyrthyr Institute for Unsettling Technologies, coordinator of the “Prototyping Social Forms” and “Alter-Eco” research streams at the Synthesis Center, an organizer at the Center for Concrete and Abstract Machines, co-producer and audio engineer for the Forested Niches podcast, and a member of the “After School”, “Technologies of Critical Conscientization”, and “Unwriting Nature” research communities at the Center for Art Design + Social Research.
© Center for Concrete and Abstract Machines