Part of the How to See in the Dark project
Eva Davidova explores behavior, ecological disaster, and the social implications of technology through performative works rooted in the absurd. She questions what we give for granted, and explores possibilities for agency through uncertainty and play.
Dakota Gearhart is a New York-based visual artist born in Arizona, raised in Florida, and educated in the Pacific Northwest. Her interdisciplinary artwork probes tensions between the environment, techno- commercialism, and human desire as climate change intensifies.
Garrett Laroy Johnson is a Chicago-based sound and media artist, researcher, and theorist. His transdisciplinary work engages Guattarian process theory, politics and the production of subjectivity, computation and materialism, and post-psychoanalysis.
Alberto is a lecturer of Architecture History and Studio at the School of the Art Institute of Chicago, the Program Manager of the Katz Center for Mexican Studies at the University of Chicago and an Independent Spatial Designer.
© Center for Concrete and Abstract Machines