Eva Davidova explores behavior, ecological disaster, and the social implications of technology through performative works rooted in the absurd. She questions what we give for granted, and explores possibilities for agency through uncertainty and play.
Dakota Gearhart is a New York-based visual artist born in Arizona, raised in Florida, and educated in the Pacific Northwest. Her interdisciplinary artwork probes tensions between the environment, techno- commercialism, and human desire as climate change intensifies.
grace grace grace is a Chicago-based sound and media artist, researcher, and theorist. His transdisciplinary work engages Guattarian process theory, politics and the production of collective subjectivity through computational media.
Alberto is a lecturer of Architecture History and Studio at the School of the Art Institute of Chicago, the Program Manager of the Katz Center for Mexican Studies at the University of Chicago and an Independent Spatial Designer.
Odette Stout is a reality artist and drag performer whose experimental costumes are a staple in Chicago underground nightlife. They stage intermedia performances that cast collaborating artists as otherworldly living artworks, called on to help tell stories from spaces where self-creation is a survival art practice.
Eva Davidova explores behavior, ecological disaster, and the social implications of technology through performative works rooted in the absurd. She questions what we give for granted, and explores possibilities for agency through uncertainty and play.
grace grace grace is a Chicago-based sound and media artist, researcher, and theorist. His transdisciplinary work engages Guattarian process theory, politics and the production of collective subjectivity through computational media.
Muindi Fanuel Muindi is a social practice artist, philosopher, and poet, with Lacustrine Bantu roots in the Rift Forests of Eastern Congo and the Mara Wetlands in Tanzania. As a social practice artist, Muindi coordinates assemblages of administrative statements, technical implements, built environments, and dramatic elements, which function as laboratories in the Black Arts and Decolonial Sciences.
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